www.thepublicreader.com | home
LISTEN | CSPAN American Writer Series | Book Reviews | | THE PUBLIC READER'S PUBLIC SQUARE | America's New Role Models | | SHORT STORIES | The Village | bridge from a snowy place | The neighborhood eight and A. jones | nightsounds | The Birdman of Carter's Lake | Neverland | Photographs | Saved by Mr. F. Scott Fitzgerald | The Loneliness of the Late-Night Donut Shop | ________________________________________________ | A NOVELETTE | An Eternity Together: A Romantic Fantasy | Part I | Part II | Part III | Part IV | Part V | Part VI | _________________________________________________ | POETRY | Poetry of Jim Kittelberger | I Knew You But A Moment | Obsolete | Rain | I Thought About Death Today | The Spiders Web | The Midnight Train | Fathers, Sons and Grandsons | Be A Man, They Say | When I Daydream | | Poetry of Jeff Kersh | Coffee Shop | Lost In War | The Soldier | Poetry of Jerry Vilhotti | Masters Poetry | World Poetry Audio Library | __________________________________________________ | CHILDREN'S TALES | a special creation | Professor Knowitall's Magnificient? Invention | the ring | whiffers | Farmhouse Fables | Aesop's Fables | Bedtime-Story | ____________________________________________________ | INTERACTIVE-HANDS ON CHILDREN'S STORIES | Bones | Sad Samantha, The Sparrow | ____________________________________________________ | ESSAYS | Word Pfun | On The Road Again | Baseball, I Love It | Retirement Plans | A Daughters Eulogy For Her Father | Hometown-an essay | a retired man's period of adjustment | ____________________________________________________ | MASTER STORYTELLERS | JEAN SHEPHERD | When Schwartz wiggled his ears, that was history | | ART | American art by American masters | American Artists in the Twenty-First Century | Tom Sierak | Chamel Raghu | Illustrators | Maxfield Parrish | N.C. Wyeth | J.C. Leyendecker | ____________________________________________________ | AMERICAN CULTURAL HISTORY, THE TWENTIETH CENTURY | DECADE BY DECADE FROM KINGWOOD COLLEGE LIBRARY | The Nineties | The Eighties | The Seventies | The Sixties | The Fifties | The Forties | The Thirties | The Twenties | 1910-1919 | 1900-1909 | _____________________________________________________ | DIVERSIONS AND DELECTATIONS | Cal's Gallery Plus | Chess | Country Life | Crosswords | Daily Computer Tips | Duct Tape Press | Free Library of Classics | Friends of The Public Reader | Heroes | Humor | Strange Breed | Suddenly Senior | Religious Cartoon | The Irascible Professor | Let me think about this | Links to sites you'll enjoy | Nostalgia | A Little Shakespeare | The Radio Page | Singleminded | Tom Paine.com(mon) sense | World Net Daily | | Submissions and Feedback
Maxfield Parrish (1870-1966)
Parrish, whose real first name was Frederick was extremely popular. He took the name Maxfield from his grandmother. His use of color is and was innovative. The blues of his paintings from mixtures of various mediums was so unique that the phrase 'Parrish Blue' was coined. Below is 'TWILIGHT', which illustrates the blue.
My favorite because of it's fey subject matter. It also incorporates his use of asexual women in his paintings.
